2014 Reading: Diversity Evaluation

Last year I thought it would be enlightening to breakdown what I read by genre, author, etc. and found the results interesting. Out of 50 books 62% were by women, 86% were by white authors, and I was pleased by the spread of genres I covered. Lets see how 2014 compares.

**If I read more than one book by an author (for example I read all of the Harry Potter books by J.K. Rowling) I counted them each time.**

2014 Stats: 45 Books — 11,266 pages

2014 Books

Gender:

Authors read in 2014 – 9 Books by men, 36 books by women.

I am proud that 80% of the books I read are by women authors. As I mentioned last year there is a gender gap in publishing but I seem to gravitate towards female authors without giving it too much thought.

LGBTQ: This year I read 2 books by a known gay author. This was a new author to me but the small number of books and the fact that both books were by the same person indicates to me that I need to make an effort to expand my reading in this area.

Race:

A look at the authors I read by race: 39.5 white, 1 Asian, 1 African, 1.5 Native American, 2 Hispanic authors. This continues to be disappointing, I did not really improve the diversity of my reading since last year — hopefully the Book Riot Read Harder challenge will push me along this goal. Also note that Sarah Vowell was counted as .5 white and .5 Native American in the racial breakdown.

Genre:

7 memoirs—1 short stories—6 fantasy— 11 Children/Young Adult—13 Fiction—1 essays—4 non-fiction—2 mystery

I am pleased by the range of genres I covered in 2013. My traditional genres have been fiction, memoir, essays, and a smattering of non-fiction. The inclusion of fantasy and mystery in my reading repertoire continues to show a broadening scope. As with last year for the purpose of fantasy v science fiction I used the Ray Bradbury definition – that science fiction COULD happen but fantasy couldn’t. In 2013 I did read 2 science fiction books but apparently did not include any of that genre in this past year.

Format:

As I’ve referenced several times in this blog I have embraced audiobooks due to a 40-minute commute to work. In 2014,  21 (almost half!) of the books in my 45 count were audio books (CDs or OverDrive downloads) and 1 book was an ebook (a GoodReads ebook). 3 books that I read in 2014 were graphic novels – a format I hope to continue including in the future.

Looking forward:

My goal for 2015 is to read 50 books. Last year I upped this goal to 52 and feel short, I hope that even with more attention being given to our new house and garden I will be able to #makeithappen

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2014 Reading in Review

My 2014 GoodReads Challenge goal was to read 52 books — last year I successfully completed my 50 books goal and felt I should up my game. Unfortunately, I did not meet this goal — I hit 45 books (maybe 47 if I finish an ebook and audiobook by the end of the day!).

I DID however complete my Reading BINGO challenge.

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I had a great time figuring out which books I was reading would fit the criteria and which books I would NEED to read to complete the challenge. In 2015 I’m going to create my own BINGO sheet based on the Goodreads/BookRiot Read Harder Challenge. Download the page Read Harder BINGO.

Read Harder BINGO

Who wants to play?

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My Favorite Audiobooks

I’ve mentioned on here previously that as a result of my longer commute, in the last year I’ve taken up audiobooks as a way to continue enjoying as many books as I can. I also make a point to listen to audiobooks when I take trips back to Michigan to visit family or when I have to drive across the state for meetings. So I feel like I am becoming pretty well-versed in what makes a good audiobook (to date I’ve completed 30).

In my opinion commuter or travel audiobooks must follow this criteria:

A. The story must be interesting enough to distract you from the mundane roads you see on a regular basis (although not so interesting that you are distracted during high-traffic periods or that you make the mistake of driving down your hilly driveway after an ice storm and slide off into a ditch  – totally not talking about me, I swear…)

B. The narrator is key. In most books that means the narrator must be good at both the third person narration and doing voices. The number of characters in a book can be critical — a narrator who is excellent in a novel with a small cast may not provide such as stellar performance for a book that has hundreds of characters.

What books meet this criteria? See my list below:

1) The Harry Potter books by J.K. Rowling,  narrated by Jim Dale. Remember what I said about the challenge of narrating a book with many characters? Dale nails it. According to this article Dale created and recorded 134 characters in The Order of the Phoenix — and he does so recognizably. I was never confused about which character was talking — not across the span of 7 books! A good audiobook for a solo drive or family trip. I had read all of the Harry Potter books growing up and enjoyed revisiting them in this format.

Harry Potter

2) The Book of Unknown Americans by Cristina Henriquez, read by Yareli Arizmendi, Christine Avila, Jesse Corti, Gustavo Res, Ozzie Rodriguez, and Gabriel Romero. If you have a book with many characters and you can’t find a suitable narrator to play them all a growing option is for publishers to cast multiple narrators. I think this is a tricky line to walk but in the case of The Book of Unknown Americans it really works out – probably because of the diverse view points written into the book with chapters from different character’s perspectives. The use of different narrators also lends authenticity to the wide span of Latino characters in the book ranging in all ages, sexes and countries of origin. The story itself is masterfully written and incredibly moving. My only concern in recommending this is that I almost had to pull over to cry.

Unknown Americans

3) Let’s Pretend This Never Happened: A Mostly-True Memoir written and narrated by Jenny Lawson (perhaps better known as @TheBloggess). I’m sure this is a funny read as well but in audio I was laughing out loud in the car to and from work. Creative Non-Fiction ate its most rib-tickling.

lets pretend

4) The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making, written and read by Catherynne M. Valente. Other than memoirs I’m wary of authors who narrate their own books (Ray Bradbury’s narration was my first go at this performance and his reading of the characters was very flat). However, Valente is a talented writer and performer. It did take me most of the first CD to lose myself in the story but then I was hooked! This might be a good one for a family trip with a print copy so kids can also enjoy the illustrations which I’ve heard are wonderful.

Fairyland

5) The Night Circus by Erin Morgenstern and narrated by Jim Dale. What can I say, the man has talent! This is actually the first Jim Dale book I listened to and it was enchanting. The book earned a lot of buzz when it came out and rightfully so – the world created by Morgenstern is wondrous and I’m so glad she found a talented narrator to give it justice.

Night Circus

6) The Chaperone by Laura Moriarty and narrated by Elizabeth McGovern. Does that second name sound familiar? She’s the actress that plays Lady Cora Grantham in Downton Abbey and she’s sublime in this narration! Set in one of my favorite historical time periods for books (the 1920s) this book touches on many of the issues of the day including family ties, heritage, and women’s rights.

Chaperone

7) Eleanor and Park by Rainbow Rowell and narrated by the awesome duo: Rebecca Lowman and Sunil Malhotra. Like many this was my first novel by Rowell and I have since gone on to devour every one that is in print – the story lines just pull you in and like an addict you can’t put the book (or audiobook rather) down. I listened to this book right before a work trip and had to get on the plane with about 30 minutes to go. It was pure torture — this book may be best for a long drive rather than chopped up into smaller doses or you’ll be wondering what’s going to happen all during the workday. The dual narrators works well with the books structure which volleys back and forth between the title characters. A must-listen!

Eleanor

8) Beautiful Ruins by Jess Walter, read by Edoardo Ballerini. This was one of my first audiobooks I really starting listening to and it breaks Guideline A a bit — at the start of the book the storyline jumps around between characters’ viewpoints and chronologically. BUT when you finally get a handle on what is going on the audiobook is wonderful – and everything comes together in the end, I swear.

Beautiful Ruins

9) Their Eyes Were Watching God by Zora Neale Hurston and narrated by Ruby Dee. Another challenging audiobook to begin with. It might be easier to wade through the unfamiliar cultural slang and fast-paced dialogue in a print version but I really and truly believe that audio is the way to experience this story that challenges every societal assumption and norm through the backdrop of a loves story.

Their Eyes

10) The Cuckoo’s Calling by Richard Galbraith and narrated by Robert Glenister. We all know by now that Galbraith is really J.K. Rowling right? Her pseudonym by which she publishes this mystery series. I wanted to try her adult books but have a hard time investing myself in the mystery genre even when a book receives multiple good reviews by friends, so I decided to fit this one in via audiobook. Devoted sleuths may have figured out the ending, but I enjoyed listening to the story unfold as I drove my commute and contemplating in the back of my mind who the killer could be. The narration was very well executed and I will be looking for other audiobooks narrated by Robert Glenister. I will definitely be checking out the audiobook of the sequel (The Silkworm) soon.

Cuckoo

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#InternetSlowdown

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Image via Battle for the Net

 

Hopefully you’re seeing a lot of these images today.

 

September 10, 2014 is #InternetSlowdown Day which is meant to draw attention to the fact that big cable companies are trying to break net neutrality (also known as Open Internet) and charge websites money to deliver their content to YOU in the fastest way possible.

 

What does that mean? Well, to use the most popular example, if Netflix wants you to be able to watch the most recent season of Sons of Anarchy without the delay of the “loading” bar it will have to pay Comcast, AND Cable One, AND Mediacom and other companies to ensure your experience is seamless. Who wants to guess the odds that this cost the cable companies is pocketing will get (at least a little) passed onto consumers?

Another reason I’m concerned is that ramifications this can have for public libraries and schools who are delivering more and more content and educational activities via the Internet. Are schools and libraries going to have to pony up for these price gauges? On an already stretched budget? Will the people who use the video streaming, electronic book and article access, or just INTERNET access at these locations going to be adversely affected as a result? ABSOLUTELY.

 

Net Neutrality fosters innovation and creativity — it creates a relatively level playing field for the big and little guys to reach their audiences. If information access is limited to the big voices that can pay, the information exchange will suffer. Furthermore, you’re already paying the cable companies for access to the Internet, should you have to pay more to reach the services you want? That you might already (like Netflix) pay for ? NO.

So please, do something. Contact your legislators. Tell them that Net Neutrality is for the PUBLIC GOOD.

 

Want to learn more about Net Neutrality? Check out these links:

 

Last Week Tonight with John Oliver: Net Neutrality

 

Federal Communications Commission: Open Internet

 

Battle for the Net

 

The ACLU Answers the Key Questions: What is Net Neutrality?

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Return with Curry

I know it’s been an incredibly long time since I posted. There is a whole host of reasons which involve 1+ jobs, going to Morocco, work trips, and buying our first home. But more on that later.

Of course, my first post back is neither library, grants, or higher education related. It’s about curry.

Disclaimer: I am mostly posting this for myself.

I am not a very good cook. My husband does most of the cooking around the house although I do pick up the slack when it comes to baking.

My problem is that I (in the red hair and in the kitchen) am like Anne of Green Gables — I am very easily distracted from cooking. I don’t like standing in the kitchen while vegetables saute. In fact, right now I am running back and forth between writing this and cooking beans and bell peppers on the stove!

So I am not the first choice in our house to cook a meal. But the husband has been working more late hours recently which means I am trying to pick up the slack at home.

Last night was a late brew night for him so I made red Thai curry. I have sous-chefed with this recipe with him  and knew it involved coconut milk, red bell pepper, and bamboo shoots….and that’s about it.

I searched online but couldn’t find the original recipe I knew we used — the link was now a 404. So I begged the husband via text message (while he was busy at work) to send me the recipe he “created” based off the of the online one. After some cajoling he emailed me his process.

So I am sharing it here; mostly selfishly so that I can refer to it later but also because it is really good and you should cook it too.

Curry

 

Ingredients
1 onion, diced
3 garlic cloves, minced
2 TBSP fresh ginger, minced
3 TBSP vegetable oil
2 TBSP curry paste
1 red bell, julienne
1/2 can (small) bamboo shoots, drained, rough chopped
Snow peas, rough chopped
1 package tofu, large cubes ~1″
3 TBSP cilantro
1 TBSP basil, torn
Lime juice (half lime)
2 cans coconut milk (I use 1 full fat, 1 low fat)
1/2 – 3/4 can water
2 TBSP fish sauce
2 TBSP brown sugar
1.5 cups dry rice

1. Make rice (1.5 cups rice and 3 cups water; bring to a boil, then simmer until water is cooked out). 2. Cook tofu cubes: heat light amount of vegetable oil in non stick and crisp tofu over med-hi on each side. Do not crowd.
3. In large pot add 3 tbsp vegetable oil over high
4. Add onion, ginger, and garlic and saute until onions are soft ~ 7 minutes
5. Add curry paste, stir to combine
6. Add coconut milk, water, fish sauce, and brown sugar and stir to combine,
7. Bring to a light boil then simmer 20 minutes with lid partially off
8. Strain liquid into a large bowl and press out vegetables
9. Add liquid back to pot and bring to a simmer, add red bell peppers and cook ~ 5 minutes
10. Add bamboo shoots and peas cook another 5 minutes
11. Serve in a deep bowl layered as follows: Rice, Curry, Tofu.
12. Finish with cilantro and basil and lime.
13. Add Sriracha if heat is your thing (hint: it’s not mine)

And voila, a delicious meal that (if practiced in chopping skills) won’t take you too long.

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Working in a non-MLIS Library

When I accepted the opportunity as a substitute librarian at my local public library (on top of my full time grant job) I knew this would be different.

It’s a tiny town with a beautiful but very small Carnegie library. Most of the staff (I think all but the Library Director) work a max 30 hours a week. Oh, and no one (not even the director) has a degree in library science.

When the Director welcomed me on board she said “we’re all very eager to ask you questions.” I politely smiled and reminded her that I would be happy to let them pick my brain but to also remember that all of my experience had been in an academic setting.

We obviously have some different ideas and since I’m a sub I’m hesitant to step on too many toes. Right now I’m there 6-15 hours a week since once of the librarians is on maternity leave.

[That sentence right there stresses me out – should I write “librarians?” It feels cruel to qualify it when I know the people who work there are dedicated and take their jobs seriously and want to help the patrons and the community. But they don’t have the background to always support this and they don’t have the language and culture to speak library speak. It’s not like the feral librarians in academic settings who have advanced degrees in other disciplines and the bridge of academia to connect on.]

Maybe these things that wig me out have already been thought about and discussed, maybe they haven’t. Unless I start a conversation I have no real way of knowing but in such a temporary positions is it my place to ask? Or do I have an obligation to ask because of my background? I would appreciate your input.

1) Staff frequently bandy about words like rent instead of borrow and commiserate with patrons on how fines are helping to fund the library and punish the member. [I did step in on this second half during a conversation between an older page and a patron I could not let that slide]

2) There are no real privacy controls. This is really bothersome to me. If a patron doesn’t have their library card on them, no big deal just type in their name – no ID shown. Library employees don’t even ask to match their address or phone number! This gets under my skin BIG TIME.

3) Which makes me wonder, if my husband called and asked what was on my account, would they tell him? I don’t recall reading anything about patron privacy in the handbook.

4) The library hosts a documentary event each month – screens a documentary and facilitates a discussion. Pretty sure there hasn’t been any consideration of copyright. I know staff also knowingly lends library movies to community groups and churches with the full knowledge they are showing them as scheduled events.

So fellow librarians What Would You Do?

(Also, I’ve never had the honor of anyone sharing a blog post on ALA Think Tank, but please refrain as I know one of the staff members is in the group – thanks!)

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Adventures as a Substitute Librarian

About 6 months after I left my first libraryland job I have been welcomed back to the fold.

When I moved to my new little town and took a job as a grant writer at a nearby community college I emailed the director of our public library with my resume and asked to be considered if a substitute librarian job ever opened up. In January I received an email asking if I could help cover while the adult services librarian is on maternity leave.

The library is still housed in a beautiful Carnegie building. It’s on the street that overlooks Main Street and has views across the river.

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It doesn’t have the most space which is a challenge for computer access and collection development so that will be interesting to take on. My responsibility for collection development and weeding is adult fiction and audiobooks – the library is really big on the Play Aways rather than CD audiobooks. It still doesn’t have the Colin Firth reading of Graham Greene’s The End of the Affair which I have seen recommended at least twice on BookRiot – so that will be one of my first purchases!

I started training a few weeks ago – a few hours 2 evenings a week and several Saturdays a month. While I am covering for the maternity leave I get to help with outreach, social media, weeding, and collection development. I’m really excited – this will be my first stint in a public library.

So, does anyone have suggestions for best tips for a substitute public librarian?

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